Jonas Nordberg is a musical performer mastering a wide range of plucked instruments from the 16th to 19th centuries. A graduate of the Mozarteum University Salzburg (MA Summa cum Laude 2011), he has an active schedule worldwide performing solo concerts, chamber music, staged performances and large ensemble work.
Together with soprano Ruby Hughes he performs all lute song repertoire. With viol player Liam Byrne he explores the music of Marin Marais and other French composers mixed with contemporary music for theorbo/viol & electronics. With electric guitar trio KROCK he lunges into contemporary music and staged performances.
He has an extensive collaboration with choreographer Kenneth Kvarnström, resulting in six large scale stage works in recent years. The meeting between baroque music and contemporary dance gives the music a new dimension, a visual chamber music partner for the solo pieces and a way to communicate through physical gestures and impulses. In 2013 Nordberg and Kvarnström teamed up for a critically acclaimed duet, sofa(r), combining elements of dance, baroque music for lute and theorbo, electronic music and speech in a dark work exploring death. This also marked his debut as a dancer.
In 2015 his solo debut album for Eudora Records, ‘Music by de Visée, Weiss & Dufaut’ was released. In 2017 ‘Heroines of love and loss’ was released on BIS Records featuring music by female composers and fictive heroines together with Ruby Hughes, soprano and Mime Yamahiro-Brinkmann, baroque cello, receiving a Diapason d’Or award. He has also recorded three albums for BIS Records with recorder player Dan Laurin, covering the flute sonatas by Johan Helmich Roman and recorder concertos by Antonio Vivaldi. From 2018 he records solo work exclusively for BIS Records. He is also regularly seen and heard on Swedish state television (SVT), BBC Radio, Sveriges Radio, Deutschlandfunk and on radio stations worldwide.
As a continuo player Nordberg has performed with Concerto Köln, Orchestra of the Age of Enlightenment, Concerto Copenhagen, Orfeo 55, Drottningholm Baroque Ensemble, Rebaroque, Camerata Øresund, Mozarteum Orchester Salzburg, Gothenburg Symphony Orchestra, Swedish Radio Symphony Orchestra, Swedish Wind Ensemble, Ensemble 1B1, Aalborg Symphony Orchestra & Gävle Symphony Orchestra amongst several other period instrument chamber groups.
Venues and festivals the past seasons include Kammermusikfest Lockenhaus, Greenwich Early Music Festival, Stockholm Early Music Festival, BAM New York, National Sawdust NYC, Kioi Hall Tokyo, Shanghai Oriental Arts Centre, Concertgebouw Brügge, Theater Bonn Opernhaus, Grand Théatre Luxembourg, Mozarteum Salzburg, Malmö Opera, Kulturhuset Stadsteatern Stockholm, Helsinki City Theatre, Salzburger Landestheater, Herculessaal München Palladium Malmö, Gothenburg Concert Hall, Stockholm Concert Hall, Stavanger Concert Hall, Movimentos festwochen Wolfsburg and Norrlandsoperan amongst several other concert halls and churches around the world.
He also works extensively with Swedish chamber ensemble Operabyrån, co-creating chamber operas and semi-staged performances featuring forgotten female composers. 2018-2020 the ensemble is artist in residence at Konserthuset Stockholm.